![]() ![]() In this way, the tool is useful for correcting issues where one eye is slightly larger, or more open, than another, or when a subject squints too much when they smile, or simply when they would like a little work done to their eyes. Clicking the Lock icon between the two sliders makes the adjustment uniform between eyes. Dragging the left slider up or down adjusts the left eye, plus or minus. ![]() So, for instance, under the Eyes heading are sliders for adjusting Eye Size, Height, Width, Tilt and Distance. ![]() You can select which face in the image you would like to modify (if the image contains multiple subjects) by clicking the dropdown menu above the first set of sliders.įrom there, the Face-Aware tools are broken down by facial feature, followed by the sliders for each adjustment. It’s likely the first place a portrait photographer is going to visit when using the Liquify tool. The Face-Aware controls not only are built right into the same Liquify interface, but they’re featured prominently at the top. To use Face-Aware Liquify, simply open the Liquify tool under the Filter menu. The application automatically understands facial features, enabling photographers to simply adjust sliders for elements like eye size, shape and position, as well as many other facial features. But Liquify really excels when you employ the seriously amazing tools of Face-Aware Liquify. (Check out Digital Photo’s recent debate on the merits of the new Lightroom changes.)Ī lot can be done with the plain old Liquify tool, whether you’re working with portraits or anything else. It’s such a powerful way to modify images. Liquify, you may know, has always been useful for pushing and pulling and expanding and contracting and generally reshaping image elements. About a year ago Adobe updated Photoshop CC to add some tremendous portrait retouching capabilities to the Liquify tool, namely, what Adobe’s designers call Face-Aware Liquify. ![]()
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